How to Play Hindi Movie Song 'Papa Kehte Hain' from the Movie 'Qayamat Se Qayamat Tak' by Tabasum Amir. Kindle Edition $0.00 $ 0. Free with Kindle Unlimited membership. Or $0.99 to buy. Commando/qayamat Se Qayamat Tak. Audio CD Currently unavailable. Qayamat se qayamat tak and tezaab. Watch Qayamat Se Qayamat Tak Online Free| Watch Qayamat Se Qayamat Tak 1988 Full HD| Cast: Aamir Khan, Juhi Chawla, Goga Kapoor, Dalip Tahil, Ravindra Kapoor, Asha Sharma, Alok Nath, Rajendranath Zutshi, Shehnaz Kudia, Charushila, Beena Banerjee, Reema Lagoo, Nandita Thakur, Ahmed Khan, Arjun| Director: Mansoor Khan| Pilot: Both Dhanraj Singh And Randhir Singh Are Two Bitter And Old Time.
EditDirected by
Mansoor Khan |
Writing Credits (in alphabetical order)
Nasir Hussain | ... | (dialogue) (as Nasir Husain) |
Nasir Hussain | ... | (screenplay) (as Nasir Husain) |
Nasir Hussain | ... | (story) (as Nasir Husain) |
Cast (in credits order)
Aamir Khan | ... | Raj | |
Juhi Chawla | ... | Rashmi | |
Goga Kapoor | ... | Randhir Singh | |
Dalip Tahil | ... | Dhanraj Singh (as Dalip Tahhil) | |
Ravindra Kapoor | ... | Dharampal Singh | |
Asha Sharma | ... | Mrs. Saraswati Singh | |
Alok Nath | ... | Jaswant Singh | |
Raj Zutshi | ... | Shyam (as Zutshi) | |
Shehnaz Kudia | ... | Kavita (as Shehnaz) | |
Charushila | ... | Parvati (as Charu Shila) | |
Beena Banerjee | ... | Saroj (Raj's mother) | |
Reema Lagoo | ... | Mrs. Kamla Singh | |
Nandita Thakur | ... | Indumati | |
Ahmed Khan | ... | Bhagwandas (as Ahmed) | |
Arjun | ... | Ratan Singh | |
Ajit Vachani | ... | Vakil Biharilal | |
Yunus Parvez | ... | Truck Driver | |
Viju Khote | ... | Maan Singh | |
Babbanlal Yadav | ... | Totaram (as Babban) | |
Arun Mathur | ... | Raghuveer Singh | |
Seema Vaz | ... | Madhumati | |
Mukesh | ... | Hamid Khan | |
Shehzad Khan | ... | Shahid Khan (as Shehzad) | |
Makrand Deshpande | ... | Baba (as Mac Deshpanday) | |
Yatin Karyekar | ... | Baba's Gang (as Yatin) | |
Shiva Rindani | ... | Balwant Singh (as Shiva) | |
Brij Gopal | ... | Killer | |
Usha | ... | Seema | |
Afzal | ... | Baba's Gang | |
Faisal Khan | ... | Baba's Gang (with sunglasses) (as Faisal) | |
Noora | ... | Killer's Assts | |
Yusuf | ... | Killer's Assts | |
Rest of cast listed alphabetically: | |||
Imran Khan | ... | Young Raj | |
Charusheela Sabale | ... | Parvati | |
Chhaya | ... | In the crowd in the song Papa Kehte Hain (uncredited) |
Produced by
Nasir Hussain | ... | producer (as Nasir Husain) |
Music by
Anand Chitragupth | ... | (as Anand) |
Milind Chitragupth | ... | (as Milind) |
Cinematography by
Kiran Deohans |
Film Editing by
Zafar Sultan |
Art Direction by
Shib Shankar | ... | (as Shibu) |
Costume Design by
Bilquis Khan | ||
Nikhat Khan | ... | (as Nikhat Ara) |
Nuzhat Khan | ||
Sonia |
Makeup Department
Madan Borkar | ... | makeup artist |
Salim | ... | assistant makeup artist |
Sunil | ... | assistant makeup artist |
Production Management
S.A. Lateef | ... | production manager |
Second Unit Director or Assistant Director
Izhar Hussain | ... | assistant director |
Deval Pandya | ... | assistant director (as Deval Pandaya) |
Art Department
Kashinath Patil | ... | assistant art director |
Tukaram Patole | ... | associate art director |
Sound Department
Manohar Bangera | ... | audiographer |
Idris | ... | sound assistant (as Idress) |
Nagendra Shinde | ... | sound assistant |
Ashok Shukla | ... | sound re-recordist: Recording Center |
Special Effects by
S.A. Azim | ... | opticals (as S. Azim) |
Syed Galib | ... | main titles (as S. Ghalib) |
M.A. Hafeez | ... | opticals |
Stunts
S. Ahmed | ... | stunt coordinator: action stunts (as Ahmed Bhai) |
A.K. Gupta | ... | assistant action coordinator |
Jabbar | ... | assistant action coordinator |
Camera and Electrical Department
Nagaraj | ... | assistant camera (as Nagarajan) |
Seetharam | ... | assistant camera |
Costume and Wardrobe Department
Maruti Rao Dhawan | ... | costumes in charge |
Vilas Rao Dhawan | ... | costume assistant |
Sonia | ... | costumes |
Editorial Department
Punaian | ... | color consultant: Prasad Film Labs, Madras |
Satish Upadhaya | ... | assistant editor |
Music Department
Anil Mohile | ... | music assistant |
Udit Narayan | ... | playback singer |
Ashok Shukla | ... | song recordist: Recording Center |
Majrooh Sultanpuri | ... | lyricist |
Prakash Verma | ... | music assistant |
Alka Yagnik | ... | playback singer |
Other crew
Sujatha Acharya | ... | office assistant (as Sujatha) |
Suresh Bhatt | ... | choreographer |
Conniela | ... | office assistant |
Eugene D'Souza | ... | office assistant (as Eugene) |
Gafoor | ... | production boy |
Gangaram | ... | office in charge |
Dada Gani | ... | production boy |
Dinesh Gupta | ... | production executive |
Hussain | ... | production boy (as Husain) |
Chand Khan | ... | production boy (as Chand) |
Mazhar Uddin Khan | ... | shooting equipment in charge (as Mazhar) |
Sharif Husain Khan | ... | production controller (as Sharif Husain) |
Mehboob | ... | production boy |
R.R. Pathak | ... | public relations officer |
Prakash | ... | production boy |
Qudoos | ... | production boy (as Quddoos) |
Salim | ... | production boy |
Shib Shankar | ... | publicity designer (as Shibu) |
Kumar Swamy | ... | processing in charge: Prasad Film Labs, Madras |
D.K. Verma | ... | production executive |
Vijay | ... | office assistant |
How well do films age? In this series, we will be taking superhits, blockbusters and cult classics and putting them through trial by a millennial. Can a 90s action drama or a 60s musical still feel fresh to a Netflix-binging, avocado-eating, Starbucks-sipping 20-something?
We are said to have ruined marriages, friendships and even marmalade but the one thing millennials are never held responsible for is killing love. At the risk of sounding like an old white man sitting on his wooden porch with a rifle in hand and ‘Texas’ etched on his hat, we indeed seem to have changed the definition of love to suit our busy, slightly narcissistic lives. For this very reason, love stories about a man ready to kill for his woman or a woman willing to die for her man seem to be relics of a fading past with little resonance in our reality. When did that happen? When did we swipe left on all-consuming passion?
I have always felt these thoughts float somewhere deep in my head but they rose to the surface earlier this week. I watched 1988’s Qayamat Se Qayamat Tak for the first time as my own little way of celebrating Aamir Khan’s 53rd birthday. The film, his second ever, is one of the many retellings of William Shakespeare’s Romeo and Juliet that Hindi cinema has rewarded us with. A boy and a girl fall irrevocably in love but their feuding families decide their hatred for one another is more precious than their own children. The lovers persist, rebelling against the world despite the odds stacked against them.
There is hope in their hearts and a love so strong that even spending the rest of their days in the ruins of an isolated temple on a hill seems like an invitation to heaven itself. You don’t have a bed or even a roof over your head, but that’s a-okay because you are using his arm as a pillow. You aren’t feasting on your favourite food but nothing could make you smile more than the bread she just burned. When was the last time you or I felt so completely devoted to someone that we left all the comforts of our world behind? What must it feel like to be so sure? Not a figment of doubt in your mind? Must be magical.
When Qayamat... wasn’t making me feel bad about the emptiness in my life, it was making me realise the value of simplicity in storytelling. Not a single scene is without purpose and not a single dialogue without effect. From threats fired at enemies to declarations of love made at sunset, everything serves to move the plot forward. The film was made at the end of a decade that was still struggling to let go of the past, and at the beginning of one with a mood of its own.
The boy wants to rebel against his father but still cries bitterly in his arms like a hurt child, the girl is scared to death of her father but still does everything she must to live her own life. She lies about her whereabouts, relentlessly pursues a man she has fallen for and ultimately, runs from her own wedding. All against the wishes of her strict parents. This was from a time when kids were still learning to rebel against their parents, unlike us who look forward to moving out as soon as we turn 20. The sternness of their resolve wrapped in the gentleness of their demeanour bears testament to a changing time.
While watching the film, I could not help but take note of Aamir’s stellar work in his second film or Juhi Chawla’s heartwarming, unappreciated performance. Now, however, after letting it soak into my brain for a few days, these are the things that remain. The beautiful songs still ring in my ear with her laughter and his sobs.
Qayamat Se Qayamat Tak is a beautiful thing to behold. Thank you, Aamir Khan, for being born. How else would I have watched this movie on your 53rd birthday?
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First Published: Mar 13, 2018 19:49 IST